For these films, I handled the full post-production audio pipeline—from raw production sound through final master—building on the same comprehensive workflow as original sound design work, while also composing the original score.

 

I performed detailed dialogue restoration and mixing, surgically removing environmental noise and technical interference to ensure every line was clean, intelligible, and emotionally grounded. Dialogue was carefully leveled and EQ’d to sit naturally within the mix while maintaining clarity across playback systems.

 

To enhance physical realism, I recorded and mixed custom Foley, including clothing movement and prop interactions, adding weight and texture to on-screen performances. I also constructed a cohesive atmospheric soundscape, replacing unwanted location noise with curated ambiences that reinforce the film’s setting without drawing attention to themselves.

 

In addition, I composed and integrated the original music score, shaping the emotional arc of the film and supporting its pacing within the formats that the projects allowed for. The project concluded with a final master that balanced dialogue, Foley, atmospheres, and score to meet industry loudness standards while preserving dynamic range and impact.

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You can find the full film I'm Hannah Moon that I have mixed on youtube HERE

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